Behind The Scenes: Dark Faith 2
Posted June 1, 2012 in Blog, Dark Faith
If you’re reading this, you most likely submitted to Dark Faith 2 and came here looking for a peek behind the scenes. First, let me say thank you for submitting your story (and for your patience during our reading period).
The Submission Process
Dark Faith 2 received 700 submissions. Over 600 of these were unsolicited “slush pile” stories. To put that in perspective, we’re talking roughly 8,500 pages of short fiction, enough to fill more than 26 anthologies.
We accepted unsolicited submissions during the month of January. These were predominately read over a 90 day period from February to April. We rejected the majority of unsolicited stories during this period. In early May, we received and read the last of the solicited stories and made several more rounds of cuts to arrive at a tentative table of contents.
Anthology By Writer
We invited the original contributors to write stories for Dark Faith 2. These stories made up the largest segment of the book (42%). We also solicited a new pool of professionals (31%). And we accepted seven stories (27%) from unsolicited writers. One unsolicited story will mark the first publishing credit for a new writer. Another, a writer’s first professional sale.
Anthology by Genre
Keep in mind that Maurice, Jason, and I all enjoy fiction that blurs the line between genres. Many of these stories dip more than a toe into neighboring genres.
Strange But True
We received 14 novel pitches with full manuscripts included (all deleted unread).
Several novel submissions came from “literary agencies” that exist solely to mass email editors. God knows what they steal charge for their spam services.
We still receive submissions for the original volume of Dark Faith (published in 2010).
We do keep a special folder marked “crazy” (if you’re smart enough to read this, you’re not in it).
Despite Maurice’s best efforts, no talking animal stories were purchased in the making of this anthology.
Tentative Table of Contents
“Subletting God’s Head” by Tom Piccirilli+
“The Cancer Catechism” by Jay Lake+
“The Big Blue Peacock” by Nick Mamatas+
“Kill the Buddha” by Elizabeth Twist*
“Robotnik” by Lavie Tidhar+
“Prometheus Possessed” by Matt Cardin+
“Night Train” by Alma Alexander
“The Sandfather” by Richard Wright+
“Sacrifice” by Jennifer Pelland+
“Thou Art God” by Tim Waggoner*
“Wishflowers” by Tim Pratt
“Coin Drop” by Richard Dansky+
“Starter Kit” by R.J. Sullivan*
“A Little Faith” by Max Allan Collins and Matthew Clemens
“The Revealed Truth” by Mike Resnic
“God’s Dig” by Kelly Eiro*
“The Divinity Boutique” by Brian J. Hatcher*
“The Birth of Pegasus” by K. Tempest Bradford
“All This Pure Light Leaking In” by LaShawn M. Wanak*
“Fin De Siécle” by Gemma Files
“The Angel Seems” by Jeffrey Ford
“Magdala Amygdala” by Lucy A. Snyder+
“A Strange Form of Life” by Laird Barron
“In Blood and Song” by Nisi Shawl and Michael Ehart*
“Little Lies, Dear Leader” by Kyle S. Johnson+
“I Inhale the City, the City Exhales Me” by Douglas F. Warrick+
+ Original Dark Faith contributors
* Unsolicited submissions









Thrilled to be included and to be that single author marking his first professional sale in this anthology! Thanks, guys, what an honor to break in this way.
R.J.
Although I can’t help but be saddened at not making it in, I am incredibly excited to read Dark Faith 2! I can’t wait to get my hands on a copy. If it’s anywhere near as good as the first one, it’ll become one of my favorites.
Neat—a couple questions.
1. How were the “literary” stories identified?
2. Were any stories by solicited writers rejected?
Hi Nick,
1. Like the others, arbitrarily at 1am last night. I used “literary” as a bucket for stories without discernible genre affectations (now there’s an interesting definition).
2. Quite a few solicited writers were rejected. Some based on content and some on space constraints. The overall acceptance rate for solicited writers… 53%.
Thanks! I bet many people would be interested in that latter stat as well. Being solicited isn’t the same as being accepted. Also, of the acceptees, were they all on the first story? Did you allow solicited writers to submit another story if the first one didn’t suit?
We did allow multiple submissions. One solicited writer made it into the book on the strength of his second story. Several solicited writers submitted multiple stories and failed to make it in. Five solicited writers were accepted only after they resubmitted retooled stories. Being solicited helps a great deal statistically, but you’re absolutely right, it’s far from a guaranteed sale.
That is one exciting table of contents, and not only because I’m one of the names. Can’t wait for the anthology to come out.
Thanks for the info about solicited stories. I was wondering how that worked.
And feel free to solicit from me next time around. I’ll be ridiculously famous/successful by then.
Thanks for this window into the process, guys. Most intriguing.
Fascinating look behind the process. Thanks for sharing it. I’m curious: are there other poems in the anthology besides mine?
[...] Jerry Gordon on Behind The Scenes: Dark Faith 2. [...]
LaShawn, we weren’t actually looking for poems this time around but your story-poem convinced us. We are talking about adding one to the front of the book. Yours is the only one we picked up.
[...] editorial work that goes into the creation of a book like this, see Jerry’s blog post “Behind the Scenes: Dark Faith 2,” which is full of facts and stats about the multi-stage process of starting with hundreds of [...]
Oh WOW. ::mind boggles::
It is a rare treat to see a breakdown, as you have laid out for us. Thank you for doing it. The lineup looks fantastic.
Thanks for the insight into the process! Looking forward to reading- it looks like another brilliant collection.
[...] here: http://www.jerrygordon.net/2012/06/01/behind-the-scenes-dark-faith-2/ This entry was posted in Literary, Publishing, Tips and tagged publishing by Tom Dullemond. [...]
[...] The first round involved weeding out the amateur, semi-pro, and off-topic stories. Once the easy cuts were made, thematic overlap, space constraints, and a whole host of editorial issues guided the rest. I posted a detailed deconstruction of the process on my website (http://www.jerrygordon.net/2012/06/01/behind-the-scenes-dark-faith-2/). [...]